ARTIST

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Samuel Bourne

生没年: 1834–1912
国・地域: イギリス
時代・様式: 19世紀写真

ヒマラヤ山中まで機材を運び、19世紀インドの風景と建築を大判の写真に残した英国の写真家。

作風・特徴

湿板の長い露光を前提に、動かない山と建築を選んで構図を決めます。前景に岩や人物を置いて距離の目安とし、奥行きを読ませました。

生涯

イングランドに生まれ、銀行に勤めながら写真を始めました。1863年にインドへ渡り、三度にわたるヒマラヤ撮影行を行います。カルカッタで写真館を共同経営し、その版元は同地の記録写真を広く供給しました。

ARTWORKS作品

この画家の作品をすべて見る

Nowshera, Kashmir (number 1000)

1864
Bridge of Shops, Srinagar, Kashmir

1864
Temple at Naveshera, Kashmir, India

1864
Futtypore Sikri—Two of the Marbled Screens in the Tomb of Sheik Selim Chisti

1866
The Upper Himmalayahs. View on the New Road between India and China. Mt. Pangi with the Snowy Peaks of China in the Distance

1863 or 1866
Shimla. From Mount Jakko, Looking West

1863–70
Hyree Lake. Hill Station in the Himmalayahs. View of the Taj Lake with Assembly Rooms, Lhutse

1863–70
View of the City of Lahore Taken from the Roof of the Palace in the Fort

1863–70
Delhi. View of North Side of the Jamma Musjid in Principal Mabonedau Place of Worship

1863–70
Lucknow. The Kaiser Pass and Southeast View

1863–70
Agra. The Gateway of the Gardens Surrounding the Taj

1863–70
The Upper Himmalayahs. The Dodee Tal in Lake

1863–70
The City of Lahore. Another View Taken from Huzeer Khan's House

1863–70
Lucknow. The Great Emambara and Mosque

1863–70
Agra. The Taj, the Central of Principal City

1863–70
Agra. View of the Taj from a Corner in the Quadrangle

1863–70
A Village Scene, Near Calcutta

1863–70
Shimla. The Yarrows and Neighboring Hills

1863–70
Delhi. The Emperor's Palace. Interior of Dewani in Private Hall

1863–70
Shimla. Houses of European Residents, Looking East

1863–70
Hyree Lake. South End of the Lake

1863–70
The Upper Himmalayahs. View in the Manga Valley

1863–70
The Upper Himmalayahs. View of the Mountain of Bunderpoonch with the Jumnootri Peak, 20,458 above the Level of the Sea

1863–70
Agra. View of the Taj in Front of Nootkan (The Light of the World), Wife of the Emperor Akbar, View from the River

1863–70