ARTIST
歌川広重
Utagawa Hiroshige
- 生没年
- 1797–1858
- 国・地域
- 日本
- 時代・様式
- 浮世絵
《東海道五十三次》《名所江戸百景》で知られる浮世絵師。旅と天候を主題にした風景版画を数多く残しました。
作風・特徴
雨や雪を線と点で図式化し、画面の端で対象を大胆に切ります。空の階調は摺師の手による「ぼかし」で作られ、一枚ごとに表情が変わります。
ARTWORKS作品
この画家の作品をすべて見る-
Evening Cherries on Gotem Yama
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Evening Cherry Blossoms at Gotenyama
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A View of Late Spring at Masaki
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A View of Cherry Trees in Leaf along the Sumida River
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The Year's First Song of the Cuckoo at Tsukudajima
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Tsukudajima Hatsu Hototogisu
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The Imado Bridge at the Foot of Mount Matsuchi
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Stations One: Morning View of Nihonbashi
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View of the Kanagawa station at sunset
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Odawara; Sakogawa
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Hakone; Kosui
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Mishima, Asa Kiri
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Hara: Mount Fuji in the Morning (Hara, Asa no Fuji), from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the First Tōkaidō or Great Tōkaidō
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A Snowy Evening at Kanbara Station
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Travellers Fording the Abe River at Fuchu
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Goyu, Tabibito Ryujo
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Kusatsu: Famous Post House (Kusatsu, Meibutsu tateba), from the series Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi)
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Kyoto: The Great Bridge at Sanjō (Taibi, Keishi, Sanjō Ōhashi), from the series Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi)
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Sunshower at Nihonbashi
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Sumida River in the Snow, from the series "Famous Places in Edo in the Four Seasons"
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Sudden Shower at Shōno, from the series Fifty-three Stations of the Tōkaidō
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Eastern Grey Wagtail and Rose
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Camellia and Bullfinch
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Spring Rain at Tsuchiyama, from the series Fifty-three Stations of the Tōkaidō
COLUMNS関連コラム
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美術史・技法
浮世絵は、西洋の絵に何を渡したのか——《神奈川沖浪裏》からカサットの一枚まで
ジャポニスムはよく語られるが、実際に渡ったものは何だったのか。北斎の波、広重の雨、ドガの舞台、ホイッスラーの夜、カサットの版画を並べ、画面の切り方・影の扱い・視点の高さ・顔の見せ方という具体で確かめる。渡らなかったものにも触れる。
